juan macleans new side project, peach melba! the constant citation of >chicago house and detroit techno< as influences has very nearly reduced both to empty signifiers. such vague and vacuous overuse ignores the distinct aesthetic and conceptual ideals of the actual music. that tendency to play fast and loose with the defining traits of late 80s and early 90 house and techno is one juan maclean has studiously avoided in his new side project, peach melba. built on tracks he felt were too >house-y< to be included amongst the more song-oriented singles on a proper the juan maclean release, peach melba is macleans vehicle for releasing a stream of upcoming dj friendly 12 inchs. the projects output is decidedly faithful to the blueprint of those aforementioned early productions, emphasizing rolling melodies and big vocal hooks.

unreleased live session from 72 from prolific co-founder of tangerine dream & kluster. although very much from the experimental side of things, he has had a wide ranging influence on musicians of many different slants. screen print gatefold sleeve.

hauke freer (session victim) rmx . quality house music for your dancefloor! that is the slogan of the newly formed label >foul & sunk<. the label is focusing his attention on soulful clubmusic in all its facets, which is primarily focused on the dancefloors of this world. for the first release could be obtained directly one of the most innovative producers in terms of classic house music with the italian shooting star nicholas. after releases on labels such as >no more hits<, >its a small world disco< and >4 lux< of the italians now delivers the next stroke of genius! nicholas tracks operate entirely clear on the history of house, but never forgetting the contemporary look. his tunes sound as fresh, exciting and new, of course, work well on any dancefloor in the world. >when i think about< is classic house at its best: raw and dirty! responsible for the remix to hauke freer, one half of the berlin duo >session victim<. hauke freer takes out the tempo of the song without taking the tension. it is through the very early break in the track that builds to a real slo-mo house slider. the perfect start to a great club night.

we have been waiting a long time for the bmg debut album. in the beginning of august the wait will finally be rewarded: >master of the universe< will be available both as vinyl and digital version on abstract records. who expects the typical album exploring the whole bandwidth of electronic music, will be deliberately disappointed. all eight tracks are definitely made for the dancefloor with familiar bmg relentlessness. stomping basslines, smashing snares, gloomy vocals and the typical synths make this album one of a kind. in addition you will get the wistfully expected bmg hymn in a wicked live version. bmg at its very best

this double a sided release finds us in a mellow mood as we couple joshua moses >pretty girl< with sharon bengamins >mr guy<.
>mr guy< is a lovely slice of lovers rock and somewhat overlooked when released in 1980 but it has become a firm favourite with us here at bristol archive. >pretty girl< finds roots singer joshua moses showing his softer side, it was something of a hit on the original release and makes a natural pairing with sharons tune.
both tracks were originally released as singles on bristol label shoc-wave records some thirty years ago and were given their first digital release with their well deserved inclusion on >the bristol reggae explosion 1978 ¹ 1983<. >mr guy< also made it onto the limited vinyl version of the album, but running time constraints meant there was no room for >pretty girl< something we a very pleased to rectify with this vinyl release.

slowburn are two guys from dublin who recently made there debut via uzuri in the form of a various artists 12 inch. here they return for a full four track ep release of there own on elektrosouls. four raw deep house cuts that ooze melody and soul. >magnolia< kicks things off with deep square bass and shuffled snares that give way to detuned pads while teasing synths bubble away below. >letter live & liberty< the second track, an 808 rythim joined buy a haunting lead that builds into deep melodic pads. on the flip comes >bladerunning< based around deep pads and more 808 beats with cool synth stabs this track is for dark rooms. the record wraps things up with >medicusa< a very soulful track full of quirky melodies that build and build over nicely crafted drum patterns.

it is with great pleasure that we announce the release of our very first vinyl compilation on acre recordings.
we are proud to present music from funckarma (djak-up-bitch, ad noiseam), ben milstein (touchin bass, pyramidtransmissions), phausis (rebel intelligence) and c. mantle (handsette, spacebar sentiments).
the release has been mastered by the highly regarded denis blackham of skye mastering and the audio quality is, as we wished, extremely high. the cutting is by mobineko - also excellent quality and not hyperloud. the 1950s influenced constructivist graphic design work is by lawrence clift.
this is a limited edition of 250 copies.

strictly limited to 750 copies, no-repress, no-digital. dont sleep!... onur engin returns with no less than four exceptionally lovingly crafted edits in an another 12 inch. after his releases from gamm, disco deviance, square and from his own edit imprint, onur engin has garnered a reputation as of one of the very best editors around. supported by the djs like greg wilson & dimitri from paris, his selection and treatment on this 12inch is, as ever, impeccable. the re-production and mastering breathes new life into the songs and presents them shining anew for todays discerning dancefloors.

***vinyl only*** some of you might know nycs marcos cabral from his work as half the duo runaway. together with jacques renault, runaway has stacked up a slew of releases and remixes over the past few years. the labels theyve worked for include, dfa, rekids, wurst music co, chinatown, im a cliche, crue-l, mule, endless flight, need want, fina, solar disco, aus, under the shade, plant music, turntable lab, spectral, playout, permanent vacation, nervous, ohm, tartelet, and their very own label on the prowl. their resume is very telling of their musical abilities. this year, marcos has decided to push the envelope even further and create something a bit more personally reflective…his new label hamilton dance records. just as the label artwork foreshadows, the presentation becomes blurred. edits, originals, creative sampling, its all lumped together with a certain vision. special dance-floor tools being the most obvious

golden earring have been together since 1961 and the current line-up includes two founding members george kooymans (vocals and guitar) and rinus gerritsen (bass, keyboard) along with barry hay (vocals, guitar, flute and saxophone) a member since 1968 and cesar zuiderwijk (drums) a member since 1970.
they have had over 40 hits and 30 albums, many achieving either gold or platinum status in their home country, the netherlands. they are best known for their 1973 hit single >radar love< and their 1982 single >twilight zone<.
the album >contraband< was originally released in 1976. its the first album that features the former cuby and the blizzards blues guitarist eelco gelling which makes it a very guitar orientated album.

>over< is the undisputed highlight song of gusgus brand new album >arabian horse<. right in time for high summer season we proudly present a remix package that takes no prisoners. after taking dancefloors worldwide by storm with their remix of whomadewhos >every minute alone<, italys hottest export tale of us & tennis return with another mighty roller. that bassline definitely puts the deep back into deephouse and makes you wonder how sexy this summer will be. mood musics sasse is no stranger to our label. alongside robert johnson guru ata he has remixed one of our catalogues most cherished classics: jürgen paapes >soweit wie noch nie<. so it was about time to invite him again. his vocal and dub mixes perfectly catch this summers omnipresent oldschool house vibe. president bongo delivers an absolutely massive dark acidic take complete with heavenly strings and things. and last but not least gusgus very own bigir veiran takes control for another uplifting neohouse mix that is slightly reminiscent of a certain robin s - but very different of course. voila - choose your weapon and go party!

timebomb - the uxb mixes (uxb - (abbreviation) unexploded bomb) is the latest public offering from the enigmatic duo of confucius and bunny - better known as rabbit in the moon. first featured on the dolby 5.1 collection entitled awaken it has since been given select remix treatments kept very secretive until now.

delivered here is phillip charles >controlled input< ep. a collection of phillips music as orignal as it is danceable. while the tracks contain unifying elements, they each stand very clearly apart in their own sound. as we move towards 2011 reference points of mathew jonson, carl craig and redshape spring to mind, but make no mistake... this release is in a sonic space all its own. a true gem for lovers of forward thinking techno and house.

a collaberation between chilean marcello vak and belgian dirk de groote who lives in chile. >amor mio< is a smooth tech house track with influences of the oldskool house track from raze >break for love<, this is gonna give a lot of people out there a very groovy summer feeling!

first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera, frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy... played and supported by marco carola, ralf, soukie & windish, larry peters, franco bianco and more. first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera , frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy..

limited edition triple version of classy ostertag / rrose head to head ! full sleeve art yes, the rumours were true - a full lp here of the latest tête-à-tête between secret artist rrose and experimental maestro bob ostertag. as usual, a very limited 1st run which features (as a bonus 10 inch) the original improvisations by bob ostertag on the classic buchla 200e modular synth.

the summer of 2011 welcomes the self titled debut album by hollie cook, released 6th june on mr bongo recordings. hollies self-coined tropical pop sound stems from her passion for reggae singers janet kay and phyllis dillon combined with classic 60s girl groups. the album is produced by friend and collaborator mike pelanconi, better known as prince fatty.

split secs are alexandre mouracade & tk disko direct from los angeles, california. their name came out of discussion amongst friends about how anything can change in a split second and how much power and effect the smallest detail could have in any song. both fun loving long time djs and avid record collectors, they are putting their years of experience to work with numerous forthcoming releases on labels like on the prowl / nyc, smash hit music co., and much more to be announced very soon. their first ep is released on dj kaos imprint jolly jams out of berlin germany.

somewhere between center parcs in nottingham and the white sandy perfection of formentera reside two men dedicated to the art of horizontal dancing. their mums call them ampo and timm (funny names, those notts lads), though we know them by their collective name of coyote. in their minds eye, it is still 1986 and there are leathery looking germans with alarming posing pouches dancing to simply red records on the shimmering terrace at ku club while down the road alfredo is building his legendary reputation at amnesia. apart from the clued-up few, most of the brits are billeted in san antonio where the beers are cheap and the sunburn is plentiful. coyotes music, despite being produced in the east midlands conjures up a world of sun, sea and 80s glamour, while still sounding very much like today.

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

massive emotional house tracks, very disco and electrofied

party girl grows from a a collaboration between 2 artists coming from different fields in music. niconote brought her voice and indie-soul stylings to limos club production sound. the release is completed with hot remixes by dapayk, guido nemola and dachshund. this simply but very cute and intense spleen made party girl be here! enjoy!

ultraphat raw / dark dubby detroit influenced track, very analogue flavours

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.

we are all very excited about presenting the new catalogue for apparel music limited. we decided to offer our fans an alternative point of view to complete our distribution package. kisk, this time with the help of gennaro mastrantonio, is developing a new concept designed for a bigger dance hall. whereas apparel music covers the daytime, warm-up and after-party side, apparel music limited represents the night in all its different shades. we have chosen francesco gemelli to set our experimental work in motion. francescos classic vocal house music takes us back in time, as if disco music never died and the 90s still had something to say.. the aggressive, uncompromising rhythm of spin my mind melts into the love sounds of she loves the 80s, as if travelling back in time were not enough, as if modern times were in the past and the past was hic et nunc, here and now. ughl revamps the visuals in a deep house version of she loves the 80s, turning it into a very up-to-date track, while gennaro gives spin my mind just the right trajectory for limited edition.

the second release on oasi lab has a duo of artists already known for their collaborations with labels like: tuning spork, resopal, and amam. they are mr.bizz & matteo spedicati! second release have two original tracks >naitoku< and >kyoto<, full tech house style both, where bass riffs and vocals are very important. to embellish the ep is >naitoku< remix by mulder nl, producer present in highest quality labels like: bla bla, be real, suara, just to name a few, and collaborations with daniel sanchez. mulder remix have high quality deep and detroit sonorities that will almost certainly not disappointed lovers of the most exigent clubs.

moody melodic synth patterns, stripped back electronic percussion and haunting hypnotic vocals. may i present the latest masterpiece from reuben tobias: portraits ep. a finely balanced deep underground pop release that will no doubt hold the attention of such names as troxler and jamie jones. the structure, complex enough to hold interest but simple enough to maintain elegance, takes you on a journey through the mind of reuben tobias as you listen attentively to every word of the self expressive lyrics. the b side lead, marran, shares very much the similar characteristics as portraits. minus the lyrics, marran uses subtly layered electronic synths and the comforting sound of young children playing outside to suck you down into a place of complete concentration. your focus becomes stuck in fascination for the sounds guiding you through the duration of the track right to the last second. a brilliant ep. not one for the clubs but certainly one for the collection.

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

hardly strangers to the scene, daniel bortz & sascha silber give what could very well be the summer hit of 2011. the 2 track ep titled >color of love/fantasy< is incredibly effective in creating a smooth late summer feel, perfect for open air nights. straight kicks, crunchy snares, and pressed hi hats, a bassline bounces next to the deep kicks

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

with upcoming releases on top class labels like american standard, sleazybeats and ene tokyo, edinburghs lord of the isles ventures forth with the debut 12inch on his own limited edition imprint little strong recordings. what you get is three excursions into deeper territories. the a sides >hot blob< is a slice of detroit inspired wonkiness designed for dancers. with a seriously seductive bass line, acidy techno flourishes, underground keys and soulful ghostly voices, the track heads off into the deepness with all the class of a planet e classic. on the flip side, deep house track >tell your soul< pitches that perennial question (and sample) which asks >what is house music ?< across a frozen lake of reflecting and melting keyboard maneuvers, with a definite nod to larry heard, this psychedelic shimmering beauty is made for afternoon drifting. last up >this way< is the gem at the end, built for early morning sub club styled revelry, this stuttering, sub aquatic jam is strictly for the heads. deep, churning and soulful in the right way. with this ep, lord of the isles offers us a glimpse into the mighty depths of his personal catalogue and its very deep indeed!

this is the first release of many more to come and includes already two more than great peak time gems, already tested to very big success at the clubs around the globe !

this time splendid lo-fi come up with a little and powerful v/a: rio padice is up to skies right now, nothing can be high enough to stretch out his hands and grab it. with vixen he has done his finest work and brings us deep and rough sounding analog and mature simplicity. a sound like a fox roaming thru the dark forest. a pure 909-sound meets a butter packed bassline. this is ment to be very classic stuff. a concept also steinwiese has arranged perfectly. a lusty and classy piece of very crackling music for the vinyl. on black bird a crispy bass and a strong chord are taking us on a ride and show the same forest from above. this one is definitely for the nighttime

deeper meaning return with a very special second release, a real gem of an ep from kitano. based in melbourne australia, this vinyl represents kitanos debut, and on the strength of the music displayed here, we are sure hes destined for great things. the >drifting< ep offers up three beautifully crafted slices of languid, deep house music. rich, warm and atmospheric throughout, kitano deftly blends subtle acid basslines with smooth pads and hypnotic percussion to create some utterly unique electronica. if you like your house slowed down and subtle, this is the ep for you

district of corruption is proud to present a very unique collaboration between dilo and egon orange. dilo hails originally from buenos aires and is known for connecting the two worlds of rock and electronics. dilo is currently living in a perpetual summer, splitting his time between berlin and buenos aires. dilo is running his own imprint, igloo records, and has released on numerous other labels such as we are, minus, clink, unfoundsound, and einmaleins. egon orange made is production debut in 2009 on igloo. egon has also been refining his unique live show for several years. >take me home< is a tech-house gem. strong and repetitive percussion is set against dilos own fragile voice make this a perfect summer storm. we expect you will want to take this one home as the memory of a perfect night out. >röte< is the perfect flip. warm special pads pulse along with deeply hypnotic percussion and bass. ear candy is abundant but this is a no-frills journey. >röte< gently develops with lush analog keys and heavily processed vocal oddities.

the focus energy / motive order twelve inch takes seamss lush electronica in a new direction. having captured the essence of the berlin summertime with the tourist ep, seams returns with and altogether more dancefloor orientated release. driven by a desire to make audiences at his live shows dance, a much more propulsive sound manifests itself across the two tracks, both built from the same ingredients but taking them in two very different directions. focus energys minimal percussion and vocal stabs pushes seamss sound further towards the techno production hinted at in hung markets, whereas motive order rearranges focus energys parts into a much more dense wall of sound, filled with arpeggios and noise, evoking the sound of the border community fold.

if you were to cut neville watson he would bleed acid house, he would also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but thats a whole other story. for his first wu contribution he ventures down the ethereal proto-house boulevard. jacking 707 patterns, a bouncing juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. as ever, neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off. over on side u apiento, the force behind the magisterially brilliant testpressing website, chips in with a heartfelt homage to the new beat sound. another testimony to the fact that a lower tempo doesnt have to mean diminished energy levels, the orange place simply oozes class from top to bottom. like some lost ancienne belgique classic it pounds and pumps along, building up the tension all the while until the quasi- eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to southwark street in late 87.

nice price deal !!! peaktime! this one definitely qualifies as a summer record. a.j. holmes is the self-titled >king of the new electric hi-life<. after moving back to london three years ago the guitarist and dj has played quite a role in the booming afrobeat scene there and formed a new band called >the hackney empire<. for the summer of seven series he contributes two remixes of tracks from the very best and xylitol that are simply made for the summertime love.

we are happy to have a follow up of m.in on trapez ltd in collaboration with his fellow mate jonas fahz. the duo has released together already under their pseudonym of mucky pups on the trapez ltd 100 anniversary compilation in may. their a-side welcome to my house features again a jack track, produced and written this time by a whole team including: m.in, jonas fahz, peter eilmers and featuring nick maurer on vocals. bringing together old school and new school this was also the idea with m.in s debut a-side track teach me house . welcome to my house instead has more of a live jammed attitude to it... in this respect it is meaner, rougher and tougher as the predecessor! the alienated and twisted voice of nick maurer adds a psychedelic feeling that keeps you making funny faces to yourself . delgardo has been a long time favourite of m.in and jonas, it is an approved dance floor track, and indeed a slow moving... but funky rocker. fuelled by vocal snippets and fx sounds... the beat goes non stop beat non stop ! elephant blues is the favourite track of m.in and a bit of a mad and deadpan track. fitting very well to the actual chart breaking tunes that spread like a virus in the underground scene, this could be the most modern of the three tracks. equipped with a strong drive, whipping its percussion line into oblivion it is a sexy track. the original 3 tracks are Êsupported by alex piccini with a cool post detroit remix of welcome to my house and well as heartik who has speeded up elephant blues turning it into a cool techno- rush of a track.
played by: martin eyerer, stephan bodzin, timo maas, fra soler, orde meikle/ slam, hot chip/ felix, dj madskillz, paco osuna, steve lawler, ronan portela, lee pattison (deepgroove), patrick pulsinger, axel bartsch, beatamines, f.sonik, jules de pearl, taster peter, kiko, marcus sur, toni d, freska, zidan, scott byrne, danny tenaglia ...

dust science is proud to present the second release from dadavistic orchestra, a collaboration between the black dog and 3 former members of fellow electronic pioneers the psychick warriors of gaia. dadavistic orchestras first release, >dokument .01<, showcased the two groups love for dadaism and all that it inspired. dokument .02 continues with this theme. where the first release was a double a-side of ambient electronic drone, dokument .02 is a six track album of beatless but very high impact electronics. each track weighs in at around 11 minutes of evolving, warm, and affecting analogue deepness. endlessly fascinating and continuously stimulating, these pieces are long, and yet highly economical.

finish copy featuring a embossed sleeve. very limited supply, do not sleep! zed bias teams up with uk house up-and-comer funk butcher, swamp81 pressure

nice price deal !!! nice price deal !!! nice price deal !!! upps he did it again! rock n roll comes back to stock5!! or is it heavy metal? we dont know but its fat and its from ahmet sisman. but instead of bleeding out the same ideas again and again, ahmet presents a totally new side of his soul. his beat gains a lot of power and presence, fewer sounds do more without losing the typical sisman atmospheres! the young artist from essen knows nowadays how to interpret and manipulate tendencies to his very own style! and as usual great work and for sure one of the seasons big surprises

open air 2011 !!! this is definitely a serious movie, but in this case quite large. the swiss cowboy mario zar returns with his second ep on leutral the soundtrack to the movie the ocean plant. give the way he has managed to human emotions amid societal cold again, has something very enchanting. the very first track is the title theme from the film of the same. open air heartbreaking mood with an incredible catchy tune. finally one has the feeling again - that it is - the ultimate track - summer sun sunshine - large movies 2011 - 30 degree in the shade - and then this track. martin brunner has made a realistic study and there is the typical brunner sound with 3d effects and full speed ahead. in the film, two water plants are fighting for a piece of land on the ocean floor. they also use modified shiruken. the special feature is the integrated facebook app that posts the current status of the strikes. but otherwise the film is bursting with new-fashioned bio-weapons. a high-level cold saw turns the two water plants and over again in his way. at the end of the film, the two water plants enthusiasts. what they have experienced before you can watch and listen in this awesome movie. now playing in your cinema worldwide!

the next coup by sirion records is from none other than one of the founding fathers, fedja haueter aka feodor and his fellows alex torriglia aka mo-tek and beni dossenbach aka balance. the trio, better known as vol-tek, has played a key role since the very beginnings of sirion s musical outpours and was represented in sr001 with a remix. numerous remixes and their own release sr005 - vol-tek - male & female are further to be mentioned. a part from sirion records the trio was represented at friends labels such as cristian paduraru or samy freshs augenringe records. but their next big thing is yet to come, as the threesome has been finishing tracks throughout the past year and surely need to be reckoned with in the future. the tracks after dark and conciliator are both rather deep, playful tech-house gimmicks, enriched with a bit of progressive.

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

remixed by re.you / alex dolby / coming soon we are very proud to annouce santÈs first ep >comme ci comme ca<, which will be released on topmodel records. remixes from: alex dolby , re.you, coming soon

some of the worlds greatest djs play his tracks, some ofthe worlds greatest producers request his services as a remixer and for years his music has featured on world renowned labels. none the less, peter horrevorts has stayed in the background whilst studying modern musicproduction at the rock academy, evolving and developing into the artist he is today. he released on numerous labels like kanzleramt, trapez, ec records, global undergound , gem records and of course be real and bla bla . he also did countless remixes for labels like bush, weave music, tronic and many more. his previous release on be real recordings, the love from above received excelent feedback and was played and loved by many djs. also his track on the recently released bla bla spring sampler did some serious damage on many dancefloors with this unresistable groove and funk in his music be real is very proud to welcome peter back for his second ep on be real with 4 brand new tracks

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves